Reviews for Lost Girls / at Bus Stops
inventive lighting design - The Guardian
The show opens with Indra in a space suit, and the stage is lit in a moody, smoky way, reminiscent of a David Bowie music video. - Starburst Magazine
The production design is quietly stunning. A minimalist set transforms with light and projection, evoking the vastness of space while keeping the story grounded in human experience. These visuals, combined with a tightly woven soundscape, create an immersive atmosphere that elevates the performance beyond traditional solo theatre. - Edinburgh Festivals Magazine
A tech-heavy production, Float comes off without a hitch. [...] Lighting design from Adi Currie is moody and evocative, saturated colours reflecting of the shining silver of Wilson’s space suit when they fall into a spiral of self-destruction; the glittering blues and ambers of night isolating them in both fear and freedom. - All Edinburgh Theatre
This use of magical realism, paired with beautiful lighting and set design, pulls both romance and chaos into focus. - All Edinburgh Theatre
The lighting almost takes on a comedic timing of its own, and complements the tongue in cheek fourth wall breaks - FringeReview
